The Politics of Practice Programme Announced

We are delighted to announce the finalised programme for The Politics of Practice, the international postgraduate colloquium taking place at Goldsmiths, University of London on 17 and 18 February 2012. As is clear from the programme below, this promises to be another exciting event organised by the student division of the Sociology of Theatre and Performance Research Group.

To register your interest and reserve your place at the colloquium please email stpr.group@gmail.com.

The Politics of Practice

An International Interdisciplinary Colloquium for Postgraduate Students
Goldsmiths, University of London

17-18 February 2012

Programme of Events

Friday 17 February

Location: Ben Pimlott Lecture Theatre

9:00 – 9:45

Registration and Check-In

Morning Session

9:45 – 9:55

Introduction and Opening Remarks

Philippa Burt, Scheherazaad Cooper and Rebecca McFadden

The Politics of Practice co-chairs

10:00 – 10:15

Marko Stamenkovic

PhD Center for Ethics and Value Enquiry – Department of Philosophy and Moral Sciences

University of Ghent, Belguim

A Suicide Note

Paper to be delivered by Dafne Louzioti, Goldsmiths, University of London

10:15 – 10:25

Question and Answer session led by Scheherazaad Cooper

10:30 – 10:45

Emma Gascoigne

PhD Humanities Advanced Technology and Information Institute

University of Glasgow

From the Ground Up: The Grass Roots Development of Social Media Practice within Glasgow Museums

10:45 – 10:55

Question and Answer session led by Scheherazaad Cooper

11:00 – 11:15

Tim Jeeves

PhD Theatre Studies

University of Lancaster and the Free University of Liverpool

Gift and the Temporal Interface Between Generosity and Capitalism

11:15 – 11:25

Question and Answer Session led by Scheherazaad Cooper

11:30 – 11:45

Anka Herbut

PhD European Studies

Jagiellonian University, Kraków

Let’s Undress the Natural

11:45 – 11:55

Question and Answer session led by Scheherazaad Cooper

12:00 – 12:15

Coffee Break

12:15 – 12:30

Petra Bolte-Picker

PhD Institute for Applied Theatre Studies

Justus-Liebig-Universität, Giessen

The Voice of the Body – Vocality and Social Practice in the Theatre of Physiology

12:30 – 12:40

Question and Answer session led by Philippa Burt

12:45 – 13:00

Flora Pitrolo

PhD Department of Drama, Theatre and Performance

Roehampton University

Surface Games: The Case of Antonio Syxty

13:00 – 13:10

Question and Answer session led by Philippa Burt

13:15 – 13:30

Stella Dimitrakopoulou

PhD Creative Practice: Dance

Trinity Laban Conservatoire of Music and Dance

On Contemporaneity of Copying

13:30 – 13:40

Question and Answer session led by Philippa Burt

13:40 – 14:40

Break for Lunch

Afternoon Session

14:40 – 15:40

Panel Discussion
In the light of shifting national and political boundaries, how do global changes effect our understanding and experience of 'local' practices?

Panel Discussion led by Scheherazaad Cooper, Goldsmiths, University of London

15:40 – 15:45

Coffee Break

15:45 – 16:00

Ewa Jelen

PhD Department of Social Science

Adam Mickiewicz University, Poznan

Let Me Frame Your Pain – Photographic Stories that Sustain (Western) Social Order

16:00 – 16:10

Question and Answer session led by Rebecca McFadden

16:15 – 16:30

Marie Therese Shortt

PhD Creative Arts

University for the Creative Arts Rochester

Patterning Culture: Documenting and Mediating Greeting Rituals in Multicultural Cities

16:30 – 16:40

Question and Answer session led by Rebecca McFadden

16:45 – 17:00

Estelle Zhong

PhD Department of Art History

Ecole Normale Supérieure de Lyon

The Community of Singularities: New Representations of the Individual and the Community in Lone Twin’s Boat Project

17:00 – 17:10

Question and Answer session led by Rebecca McFadden

17:15 – 17:30

Felicitas Zeeden

PhD ‘InterArt’ Graduate School

Freie Universität, Berlin

The Real Fiction, Theatre Performances as Social Practice

17:30 – 17:40

Question and Answer session led by Rebecca McFadden

17:40 – 17:45

Closing Remarks

Rebecca McFadden The Politics of Practice co-chair

Performance:

Studio 3, Goldsmiths University of London

Followed by Question and Answer session with the artists led by Philippa Burt

18:00 – 18:45

Stella Dimitrakopoulou

The Last Lecture (a performance)

18:45 Interval

19:00 – 19:45

Jim Brook and Belinda Bell

Two Sides to an Envelope: an Act of Self-determination

20:00 – 22:30

Evening Reception

Location: The Amersham Arms, New Cross

Saturday 18 February

Location: Ben Pimlott Lecture Theatre

9:15 – 9:45

Registration and Check-In

Morning Session

9:45 – 9:55

Opening Remarks

Philippa Burt, The Politics of Practice co-chair

10:00 – 10:15

Camilla Stanger

MA Educational Studies

Goldsmiths, University of London

Heterogeneity and Cultural Practice within the A Level Dance class: from a Pedagogy of Oppression to a Pedagogy of Liberation?

10:15 – 10:25

Question and Answer session led by Rebecca McFadden

10:30 – 10:45

Stephanie Brocken

PhD Department of Arts and Media

University of Chester

Fragmented Adulthood, Fragmented Practice: Towards a Contemporary Approach to Using the Arts with Young People

10:45 – 10:55

Question and Answer session led by Rebecca McFadden

11:00 – 11:15

Patrick Doyle

PhD Department of History

University of Manchester

The Role of the Irish Co-operative Movement in Shaping Irish Rural Society

11:15 – 11:25

Question and Answer session led by Rebecca McFadden

11:25 – 11:40

Coffee Break

11:45 – 12:00

Rebecca McFadden

PhD Department of Theatre and Performance

Goldsmiths, University of London

The Czech Theatre Landscape in Flux: Transformation, Continuity and Rupture since 1989

12:00 – 12:10

Question and Answer session led by Philippa Burt

12:15 – 12:30

Weila Gong

PhD Graduate School of Global Politics

Freie Universität Berlin

An Analysis of Chinese Cultural Diplomacy’s Effect – a Comparison of the Development of Confucius Institutes in Europe and Southeast Asia

12:30 – 12:40

Question and Answer session led by Philippa Burt

12:45 – 13:00

Sukanya Sompiboon

PhD Department of Drama

University of Exeter

Bridging the Gap of Aesthetic Judgement: the Political-cultural Praxis in Makhampom Likay Production

13:00 – 13:10

Question and Answer session led by Philippa Burt

13:15 – 13:30

Scheherazaad Cooper

PhD Department of Theatre and Performance

Goldsmiths, University of London

‘I am not an Immigrant’: the Next Step in the Performance of Identity in Indian Classical Dance

13:30 – 13:40

Question and Answer session led by Philippa Burt

13:40 – 14:40

Break for Lunch

Afternoon Session

14:45 – 15:00

Stephen Millar

MPhil Department of Music

University of Glasgow

Musically Consonant, Socially Dissonant: Orange Parades and Catholic Interpretation in West-Central Scotland

15:00 – 15:10

Question and Answer session led by Scheherazaad Cooper

15:15 – 15:30

Aude de Caunes

PhD Department of European and International Studies

King’s College London

Nettoyage au Karcher: Symbolic Violence and Cultural Resistance in Musical Practices of Contemporary French Postcolonial Communities – from Radical Expression to Political Rebellion?

15:30 – 15:40

Question and Answer session led by Scheherazaad Cooper

15:45 – 16:00

Bill Mann

PhD Department of Music

University of Glasgow

‘Culture Wars’? – London 1705-11

16:00 – 16:10

Question and Answer session led by Scheherazaad Cooper

16:15 – 16:30

Philippa Burt

PhD Department of Theatre and Performance

Goldsmiths, University of London

‘Anton and Cleopatrova’: Komisarjevsky’s ‘Russian’ Shakespeare Productions and the Reaction of the British Theatre Institution

16:30 – 16:40

Question and Answer session led by Scheherazaad Cooper

16:40 – 16:50

Coffee Break

16:50 – 17:50

Roundtable Discussion

The politics of practice and the practice of politics – discuss

Roundtable Discussion led by Rebecca McFadden, Goldsmiths, University of London

17:50 – 18:00

Closing Remarks

Philippa Burt, Scheherazaad Cooper and Rebecca McFadden

The Politics of Practice co-chairs

18:00 – 23:00

Evening reception for participants and their guests

Location: The Amersham Arms, New Cross

Call for Papers: The Politics of Practice

CALL FOR PAPERS

The Politics of Practice

An International Interdisciplinary Colloquium for Postgraduate Students

17-18 February 2012

Goldsmiths, University of London

The social nature of various professional practices is often submerged as normal behaviour. Recognising this phenomenon, Pierre Bourdieu argues for the necessity of a transparent and fully contextualized understanding of the ways in which cultural producers, practices and products are socially constituted and, reciprocally, shape their societies. How might group or individual practice, within and across fields, be analysed and examined as a social process?

This call for papers invites postgraduate students from all disciplines to examine how practices can be understood within the context of their social, cultural and political ramifications. The relationship between practice and social process can refer, but is not limited to: the effects of practice on the understanding and the trajectories of society; the exploration of self-disciplined practice (by a group or individual) as a political act of self-determination; the evolution of practice as a response to social, political and ecological crises; and the influence of geographical transformation, global hierarchies and political and economic interdependence on global and local practices.

The Politics of Practice is the sixth annual postgraduate colloquium organised by the Sociology of Theatre and Performance Research Group (STPRG) at Goldsmiths, University of London, under the direction of Professor Maria Shevtsova. This international event will draw on the issues of process and transmission examined in previous colloquia, including Appropriating Space (2008), Bodies and Socio-Histories (2010) and NOW, Legacies and Amnesia (2011). The Politics of Practice will provide an opportunity for postgraduates to engage with their peers across disciplines in a challenging and supportive environment. In addition to showcasing their own research, delegates will participate in roundtable discussions and panel sessions over the course of the two-day conference. The STPRG is committed to facilitating opportunities for postgraduates across the globe to meet, network, and exchange ideas in a truly interdisciplinary context.

We warmly welcome submissions from postgraduate research students for individual papers or practice-based presentations that do not exceed 15 minutes. Please submit your name, department, university, conference paper title and 250-word abstract to stpr.group@gmail.com. The colloquium will also include a programme of evening performances; those interested in performing should contact the organisers directly for further information. 

 Deadline for applications is 1 December 2011.

Please don’t hesitate to contact us on stpr.group@gmail.com with any queries you may have. We look forward to hearing from you!

Philippa Burt, Scheherazaad Cooper and Rebecca McFadden

PhD Students in the Department of Theatre and Performance

Sociology of Theatre and Performance Research Group

Goldsmiths, University of London

Programme of NOW, Legacies and Amnesia

The Sociology of Theatre and Performance Research Group are pleased to announce the finalised programme for NOW, Legacies and Amnesia. The colloquium is taking place on 18-19 February 2011. To reserve a space or for more information on the colloquium please email stpr.group@googlemail.com

Many thanks, and look forward to seeing you all there.

***********************************************************************************

NOW, Legacies and Amnesia

18-19 February 2011
Goldsmiths, University of London

Programme of Events

Friday, 18 February 2011

10:45-11:15    Registration and Check-in
        Location: Stretch Bar, Goldsmiths Student Union

Morning Session
Location: Small Hall

11:15- 11:30    Introduction and Opening Remarks
        Philippa Burt and Scheherazaad Cooper,
NOW, Legacies and Amnesia Co-Chairs



11:30- 11:45    Frauke Surmann
        PhD InterArt Graduate School
        Freie Universität Berlin
The Torture of the Now: The Body as Scene of collective Jurisdiction in contemporary Russian Performance Art


11:45-11:55    Question and Answer session led by Philippa Burt


11:55- 12:10    Paul Edmondson
        PhD Department of Drama
University of Exeter
Narratives of Performance: Boxers, Legacy and Redemption


12:10-12:20    Question and Answer session led by Philippa Burt


12:20-12:35    Pamela Kember
        PhD Research Centre for Transnational Art, Identity and Nation (TrAIN)
        University of the Arts, London
        Where to Now? : Paul Chan's Waiting for Godot, in New Orleans

12:35-12:45    Question and Answer session led by Philippa Burt


12:45- 13:00    Break for coffee, tea and biscuits


13:00-13:15    Aisha Phoenix
        PhD Department of Sociology
        Goldsmiths, University of London
No future in Palestine: how Palestinian university students’ experiences of the present and readings of the past affect their orientations to the future


13:15-13:25    Question and Answer session led by Scheherazaad Cooper


13:25-13:40    Carolina Leonardini-Aris
PhD Faculty of Health and Wellbeing
University of Cumbria
Healthy warriors face global illness: Tourism boom and perceptions of HIV/AIDS on Easter Island


13:40-13:50    Question and Answer session led by Scheherazaad Cooper


13:50-14:05    Moustafa Menshawy
PhD Department of Politics and International Relations
University of Westminster
        Egypt: Culture and the collective memories of Wars

14:05-14:15    Question and Answer session led by Scheherazaad Cooper


14:15-14:30    Red Chidgey
PhD Centre for Media and Cultural Studies
London South Bank University
The Need for the New in Feminist Activist Discourse


14:30-14:40    Question and Answer session led by Scheherazaad Cooper



14:40-15:40     Break for Lunch



Afternoon Session
Location: Ben Pimlott Lecture Theatre


15:40- 15:55     Joseph Luna
        PhD School of English
University of Sussex
“the future comes alive / now” – Achieving contemporaneousness in modern poetry


15:55-16:05    Question and Answer session led by Philippa Burt



16:05-16:20    Rebecca McFadden
        PhD Department of Drama
        Goldsmiths, University of London
Contested Traditions at Home and Abroad: Hybrid Theatre Forms in Contemporary Czech Theatre


16:20-16:30    Question and Answer session led by Philippa Burt



16:30-16:45    Scheherazaad Cooper
        PhD Department of Drama
        Goldsmiths, University of London   
‘A body of tradition’: the cycle of maintenance and betrayal in contemporary Indian classical choreography.


16:45-16:55    Question and Answer session led by Philippa Burt



16:55- 17:10    Break for coffee, tea and biscuits


17:10-18:10     Konstantin Stanislavsky’s exhortation that his actors exist in the ‘Here, Today, Now’ was rooted in a belief that the more precise their understanding of the situation, the more precise their response to it would be. Confronted as we are on all sides by harbingers of doom and rhetoric surrounding our ‘age of uncertainty’, does a playful call to live in the moment seem decadent and irresponsible? How can we, as early-career academics, use Stanislavsky’s approach to grapple not only with our temporal location, but our socio-historical-political context?


        Led by Rebecca McFadden, Goldsmiths, University of London


18:10-18:20    Closing Remarks
        Scheherazaad Cooper, NOW, Legacies and Amnesia Co-Chair

18:30-21:00    Refreshments
        Location: The Green Room Bar, Goldsmiths Student Union



Saturday, 19 February 2011


10:00- 10:30     Registration and Check-In
        Location: Ben Pimlott Building, Foyer




Morning Session
Location: Ben Pimlott Lecture Theatre




10:30-10:40     Opening Remarks
        Philippa Burt, NOW, Legacies and Amnesia Co-Chairs



10:40-10:55    Jamie Furniss
        D.Phil Department of International Development
Oxford University
        Past, not Future, as Locus of ‘Progress’


10:55-11:05    Question and Answer session led by Scheherazaad Cooper
       


11:05-11:20    Matt Cawson
        PhD Department of Drama and Theatre
Royal Holloway, University of London
        The Mask and The Now


11:20-11:30    Question and Answer session led by Scheherazaad Cooper



11:30-11:45    Christopher Engdahl
PhD Department of Choreography
University College Falmouth
Choreography 2.0 – choreographic authorship via web 2.0


11:45-11:55    Question and Answer session led by Scheherazaad Cooper



11:55-12:10    Break for coffee, tea and biscuits




12:10-13:10    Panel Discussion

More than at any previous time in history, we are continually engaged in the simultaneous living/authoring and reporting/critiquing of our lives. To what extent does the click-here label culture of the internet, social media, and 24-hour blogging prescribe rather than describe the present moment?



Panellists:

        Marianne Burton
        PhD Department of English
Royal Holloway, University of London

       
        Jamie Furniss
        D.Phil Department of International Development
Oxford University


        Eleanor Dare
        PhD Department of Computing
        Goldsmiths, Universtiy of London


        Frauke Surmann
        PhD InterArt Graduate School
        Freie Universität Berlin


Panel Discussion led by Rebecca McFadden, Goldsmiths, University of London




13:10-14:10    Break for Lunch








Afternoon Session
Location: Ben Pimlott Lecture Theatre


14:10-14:25    Verónica Rodríguez
        PhD Deparment of English and German Studies
        University of Barcelona, Spain   
Amnesiac Legacies? Cognitively Mapping Traumatic Experiences in Ashes to Ashes and Mapping. Time: NOW


14:25-14:35    Question and Answer session led by Philippa Burt



14:35-14:50    Eleanor Dare
PhD Department of Computing
Goldsmiths, University of London
        Tensers and Detensers: lost memories and embodied traces


14:50-15:00    Question and Answer session led by Philippa Burt



15:00-15:15    Marianne Burton
PhD Department of English
Royal Holloway, University of London
Present Spilling From The Past: a performance based talk and poetry reading.


15:15-15:25    Question and Answer session led by Philippa Burt



15:25-15:40    Break for tea, coffee and biscuits       




15:40-15:55     Muyesser Ozlem Basak
PhD Department of History
Goldsmiths, University of London
        ‘Now-time’ of Revelation and Hope in Walter Benjamin and Ernst Bloch


15:55-16:05    Question and Answer session led by Scheherazaad Cooper





16:05-16:20    Katherine Symonds
MLitt Department of Classics
University of Glasgow
Classics through a lens: warped perceptions of literary origin based upon later misconception


16:20-16:30    Question and Answer session led by Scheherazaad Cooper



16:30-16:45    Philippa Burt
        PhD Department of Drama
        Goldsmiths, University of London
The lost legacy of Harley Granville Barker: the selective amnesia of British theatre


16:45-16:55    Question and Answer session led by Scheherazaad Cooper



Performance:
George Wood Theatre, Goldsmiths, University of London
Followed by Question and Answer session with the artists led by Rebecca McFadden



17:30-18:15    Tunji Sotimirin
        Mofobale (Consolidation)



18:15-18:30    Interval



18:30-19:15    Scheherazaad Cooper
         The Lament of the Reed



19:15-19:30     Closing Remarks
Philippa Burt and Scheherazaad Cooper, NOW, Legacies and Amnesia Co-Chairs




19:30-23:00    Closing Night Reception for participants and their guests
        Location: Café Crema

Call for Papers: NOW, Legacies and Amnesia

CALL FOR PAPERS

NOW, Legacies and Amnesia
An Interdisciplinary Colloquium for Postgraduate Students

18-19 February 2011
Goldsmiths, University of London


What is the current climate of right now, of this very moment? In what way does our memory of the past influence our perception of the present and of our trajectories into the future? What role do lineage and legacy play in current practice?  In an 'age of uncertainty', the ways we choose to articulate our present, the current, the 'now', will establish the way we will be interpreted in the future. NOW, Legacies and Amnesia is an international student-led colloquium for postgraduates that will explore the theoretical and practical implications of where we are right now – individually, locally, and globally.

This call for papers invites postgraduates from all fields to examine the factors that influence our perceptions of the now.  Topics may include, but are not limited to: the relationship between tradition and contemporanaeity; questions of legacy and/or the discontinuation of legacy, including dialogues of lineage; issues surrounding selective amnesia with regards to socio-cultural histories; amnesia and the body; body-memory; transmission through the body; understanding the notion of ‘presence’ and ‘liveness’ within performance and digitality; the dichotomy between the lived and the recounted/reported experience; and the constant struggle for the ‘new’ in the ‘now’.

Organised by the Sociology of Theatre and Performance Research Group at Goldsmiths, University of London, led by Professor Maria Shevtsova, this event will provide an opportunity for postgraduates across the UK and abroad to engage with their peers across disciplines in a challenging and supportive environment. In addition to showcasing their own research through the presentation of conference papers, students will be able to participate in roundtable discussions and panel sessions over the course of the event. This is a unique opportunity for postgraduates across the country to meet, network and exchange ideas in a truly interdisciplinary context.

We welcome submissions from postgraduate research students for individual papers or practice-based presentations that do not exceed 15 minutes. Please submit your name, department, university, conference paper title and 250-word abstract to stpr.group@gmail.com.

Deadline for applications is 7 December 2010

Please don't hesitate to contact us with any queries you may have.
We look forward to hearing from you!

Sincerely,
Scheherazaad Cooper
Philippa Burt

PhD Students in the Department of Drama and Theatre Arts
Sociology of Theatre and Performance Research Group
Goldsmiths University of London
http://www.gold.ac.uk/drama/sociologyoftheatreandperformanceresearchgroup/
http://www.stprgroup.blogspot.com/

Bodies and Socio-Histories: See you next year!

A big thank you to our presenters and delegates: see you next year!

Bodies and Socio-Histories, the fourth interdisciplinary postgraduate colloquium organised by the Sociology of Theatre and Performance Research Group (STPRG) based within the Department of Drama, took place at Goldsmiths, University of London on 19 and 20 February 2010. Following the directive of Professor Maria Shevtsova and organised entirely by and for postgraduates, the colloquium presented nineteen academic papers given by postgraduate research students who represented twelve different universities from the UK, Slovenia and Canada. An interdisciplinary emphasis characterised the colloquium programme, which placed Drama-based doctoral candidates at Goldsmiths alongside research students from such diverse fields as Sociology, English Literature, Politics and Fine Art. The calibre of papers presented at Bodies and Socio-Histories was notably high – enabled by a substantial response to the broadly circulated Call for Papers – and the scholarly rigour of the event continued to manifest itself in the panel and round table discussions which opened debate to the postgraduate and professional audience. Around sixty delegates attended the event as audience members, including students and faculty members from universities across the UK and abroad. This represents the highest turn-out yet for the STPRG’s yearly colloquia series. An even broader audience was attracted for the Friday evening Dance Double Bill presented in Studio 3 at Goldsmiths, which showcased the work of two practice-as-research PhD candidates within the Department of Drama. Initial feedback, offered immediately by presenters and delegates at the close of the colloquium, demonstrates an unreserved recognition of the success of the event, in terms of both its academic quality and the collegiate atmosphere that was cultivated over the course of the two days. The STPRG will build on the success of Bodies and Socio-Histories with a fifth postgraduate colloquium in February 2011.

Bodies and Socio-Histories Organising Committee:

Shanu Sadhwani, Arabella Stanger (Co-Chairs)

Philippa Burt, Scheherazaad Cooper

Sociology of Theatre and Performance Research Group:

Founding Director: Professor Maria Shevtsova

Student Division:

Philippa Burt, Scheherazaad Cooper, Rebecca McFadden, Richard J. Piatt, Anna Porubcansky, Shanu Sadhwani, Rachel Shapiro, Arabella Stanger

Feedback for Bodies and Socio-Histories

“A brilliant conference, clearly well conceived and put together. I think everyone there found it stimulating and worthwhile. An empowering experience.” 

Bodies and Socio-Histories Presenter, PhD Fine Art Practice, University of Creative Arts

“The cross referencing of concepts across a range of subject areas and subsequent formal and informal discussion groups were informative and engaging. I am confident that concepts generated and ideas shared over the two days will prove invaluable in the development of my research.”

Bodies and Socio-Histories Presenter, PhD Department of Art and Design, Swansea Metropolitan University

“I had my brain tweaked in a way that I've missed at other academic colloquia. I don't think the colloquium could be improved upon. Everything from sending us a list of affordable accommodation to organizing a post-event email list has all been above and beyond expectation.”

Bodies and Socio-Histories Presenter, Department of Sociology Concordia University, Montreal

“The lectures were so varied and interesting, and the atmosphere so warm. It was a real pleasure to be part of it.”

Bodies and Socio-Histories Presenter, PhD English Department, Royal Holloway, University of London

“I'm so glad I attended. It was immensely rewarding and, as the first conference I've ever been to, immensely educational! I can't help feeling I was very lucky to go to such a beautifully organized colloquium for my first time.”

Bodies and Socio-Histories Delegate, PhD Candidate, University of Essex

“Thanks for a fantastic colloquium - I'm looking forward to next year already!”

Bodies and Socio-Histories Presenter, PhD School of Politics, Birkbeck, University of London

Bodies and Socio-Histories was made possible with support from the Graduate School and Department of Drama at Goldsmiths, University of London.

http://www.gold.ac.uk/drama/sociologyoftheatreandperformanceresearchgroup/

Dance Double Bill: Sold Out

The Dance Double Bill
Nayika - A Woman in Love and HTAP. Studio no 3
presented as part of the Bodies and Socio-Histories colloquium on Friday 19 February 2010 is now completely SOLD OUT.

However, booking remains open for the academic events register.

Bodies and Socio-Histories
An Interdisciplinary Colloquium for Postgraduate Students
19 - 20 February 2010
Goldsmiths, University of London

For full details of the programme, please see below or visit:

http://www.gold.ac.uk/drama/sociologyoftheatreandperformanceresearchgroup/programme/

To reserve your free place at the colloquium, please email:

stpr.group@gmail.com

Bodies and Socio-Histories presents a Dance Double Bill